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I went upstairs to do some light cleaning and putting things away. Part of this was making a box of dead electronics to go to recycling. As I was tossing things into that box, I found my old laptop that I had given to K and that she had given back to me well before she left for college. The power brick was with it, so I figured I'd plug it in and see what shape it was in.

Happily, it powered up and took a charge, so that was a good start. But it turns out this laptop is just a wee bit too old to be upgraded to Windows 11 and with only 8 GB of RAM and no further expansion capabilities, probably not worth fighting to upgrade. It is, however, a perfectly fine machine for certain purposes.

So I have installed Linux Mint on it, which is my first time doing this. (I have Zorin OS on a much older laptop that I mostly haven't touched in years. I looked at Zorin first and decided that Mint would be a better choice.)

The install was easy, although I had to use a different tool than the one they had suggested to make the bootable USB stick for the install. Happily, Rufus works for this.

And now, everything is up and running and I'm able to access the Internet and even post updates.

Like this one. :)
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Among all of the assorted upgrades that I'm doing, I finally managed to get Luna Pro loaded on my machine. It's an interesting looking system, but the learning curve is looking steep.

I may mess around with it from time to time, but I think I'm going to concentrate on Cubase. :)
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So it went like this...

The new baby gate arrived this morning. I dropped the old baby gate off at UPS over lunch and it is on its way back to Amazon. After work, I decided that I would see if I could quickly install the new gate and it turned out that I *could*, having figured out all of the problematic parts with the previous gate. The gate is now installed on the stairs and should, I think, prevent Calvin from coming upstairs. It does not *seem* to prevent Gretchen from coming upstairs, although it doesn't make the whole process any more pleasant. And Julie needs to see how to operate the gate so that she does not tear it down accidentally. I have called Julie and suggested a demonstration, which she has declined. I worry about this.

Meanwhile, the new Thunderbolt 3 adapter card for the Apollo 8 unit that I bought arrived from Sweetwater. It had come via USPS and the notice said that it was in the mailbox. This seemed unlikely and it was, as all of the mail had been left on the porch, because that box had no hope of fitting in the mailbox. I brought everything in and it was now time for dinner.

We have been keeping Calvin on an extra-long leash to keep him in the family room when he is not in his kennel, but after dinner, I decided we should let him roam free on the first floor and determine whether the new baby gate would keep him off the second floor. This cost us one wooden cooking spoon that had been used for dinner and which Calvin found while counter surfing. Ruby took it from Calvin and it died while I tried to take it away from Ruby without breaking it.

And then a little while later, Calvin went and laid an enormous load in the middle of the living room where he has been previously guilty of doing so. Great.

By now, I am *really* unhappy. I head back into the living room to turn on the lights and clean up the mess.

And I trip on Julie's suitcase, which is still sitting in the passage between the hallway and the living room where it has been for over a week since Windycon. I had been thinking that this stupid thing really needed to go upstairs. I had thought correctly.

Trips to the floor: one.

Swearing and shouting ensued, because I was unhappy with pretty much everyone in the house at this point, including myself. Happily, I don't seem have done any major damage to anything, so I was able to pull myself up on the stairs, get up, and clean up the pile of poop. In multiple trips to the toilet, but no more trips to the floor.

I had thought to drag Calvin to the living room and rub his nose in it, but he was having none of this, so I exiled him to his kennel. Then when I was done cleaning things up, I dragged the kennel full of Calvin to the living room, where he will remain until morning in exile there.

And then Gretchen and I finished watching our TV show. After that, I went to the basement to install the new Thunderbolt 3 adapter into the Apollo 8 unit. This is easier when the unit has not already been installed into the rack so that it can only be accessed from the floor.

Trips to the floor: two, but with more planning this time.

Taking the card out requires a lot of playing with a teeny, tiny Allen wrench (which I only dropped once). Then I discovered I couldn't lever it out with my fingernails, but I got Julie to come in and hand me the bit of metal that had once covered a expansion card slot in the back of a computer. That tool did the job nicely. The new card was installed, the screws put back in, the Thunderbolt cable that needed to go to the computer which I had carefully identified and rerouted was plugged into the Apollo 8, and -- as long as I was on the floor already -- I moved the rest of the cables on the assumption that this was all going to work.

I levered myself off the floor, walked through the procedure for registering the used Apollo 8 unit to my account, and all of that worked. Now, the only thing that needed to be done was to use the new, short Thunderbolt cable to connect the Apollo 8 unit to the Apollo Silver unit.

I called Julie to do this, because it has to be done underneath the console. She plugged the cable in and went back to her computer.

The Apollo Silver unit and the Satellite refused to pop up on the list of devices.

Ok, there is no reason this shouldn't be working, unless Julie has somehow plugged the cable in incorrectly. This means that I will need to inspect the cable install.

Trips to the floor: three. Once more with feeling.

Thunderbolt cables are finicky beasts and it turns out that Julie had twisted the Thunderbolt cable so that the lighting bolt was face up on the Apollo 8 and face down on the Apollo Silver. In her defense, I hadn't removed the cable wrap from the new cable and that was the way that it *wanted* to be plugged in. It was just wrong.

I unwrapped the cable, plugged it in correctly, and stuck my head out from under the console. Three devices were now present in the display. Yay!

I crawled back up into my chair, fiddled with things a bit more, discovered that all of my plugins were now recognized, and declared victory. I fired up Cubase, pulled up a recent project, and hit the playback button.

Everything sounded good. Very good. Probably better than before, which is what one should expect from the newer unit with the better converters.

So this project was a success.

I am going to go take some Aleve now.
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I was recording some scratch tracks yesterday up in my office and I have come to sing the praises of inexpensive gear, because the things you can do with inexpensive gear nowadays are pretty impressive.

Now, you need to have a computer and a DAW to run on it. You can get free DAWs, like Audacity. You can get cheap DAWs like Reaper ($60 for the personal license). Personally, I use Cubase and if I'm recommending a version of Cubase, I recommend Cubase Artist, because the must-have feature is lanes (or comping), which makes it easy to assemble a clean take from multiple takes that all contain flaws, but where you managed to do the right thing at least *once* for every note that you recorded. Other sufficiently good DAWs will have a similar feature (and I note that Reaper seems to have added this in version 7, so good for them!), but this is such a time saver that I wouldn't use a DAW without it. (I also note that the commercial Reaper license is $225, while Cubase Artist is $329 when not discounted, so...)

You need a microphone to record with. I recorded my scratch tracks using an old AKG C1000s, which is my favorite Swiss Army Knife of a mic, because it does a lot of things well enough and it isn't very expensive. Well, the brand-new version is apparently $324. When I bought mine, it was $100. And you can still buy a used one for less than $100 if you shop around.

Then you need to get that microphone's signal into your computer, which means you want an audio interface. My current favorite inexpensive interface is the Universal Audio Volt 2, which is selling for $179. This gets you *two* microphone or line inputs, which is a lot more flexible than one, even if I only used one for my scratch tracks. And the second microphone input only costs you $40, because the Volt 1 is $139. And it comes with a stack of very nice plugins from Universal Audio plus a copy of their Luna recording software. Unfortunately, the comping feature in Luna is not nearly as nice as the one in Cubase.

There are a lot of other nice audio interfaces available with similar capabilities at similar prices, but this is *my* lecture and I like my Volt, so I'll just continue.

I have become very, very fond of the Universal Audio plugin library. Happily, you can *rent* access to it, which is much cheaper than buying it -- although you can also buy huge bundles of plugins for cheap now for much less than I paid for them. And so I recorded one track with both guitar and voice through that AKG C1000s and the Volt 2 into Cubase, then massaged it with nothing except the Universal Audio plugins, plus the Maximizer that comes with Cubase, and got my scratch tracks done and sounding pretty good in short order.

One of my hobby horses is the "Democratization of Technology", where things that were ungodly expensive and hard to do get easier and cheaper to do as advanced tech gets pushed down to prices that lower-end users can afford. And this is a fine example of that, because recording technology is remarkably cheap nowadays.

Figuring out how to use it? That's the hard part. :)

And if you want to see what one of these scratch tracks sounds like, here's one that I posted last year that used the same setup. Wind and Water

Memoranda

Nov. 15th, 2025 10:19 pm
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Things I learned today, some of which I should have already known.

1) Before buying a new power strip, check to see if the GFCI that it is plugged into needs to be reset. If you bought the new power strip anyway, do this before unboxing and unwrapping it. (I will find a use for the new power strip some time.)

2) It appears that a Universal Audio Apollo unit with a Thunderbolt 2 interface card in it will not work on a Windows 11 system equipped with Thunderbolt 4, no matter what the very nice Thunderbolt 2 to Thunderbolt 3 adapter thinks. This can be fixed by buying and installing a Thunderbolt 3 interface card in the Apollo system.

3) If you move the Monitor plugs back from the new Apollo unit to the old one, but don't move the ones that are attached to Line 1 and Line 2 *and* you have managed to set up your old Apollo system so that you are actually monitoring through Line 1 and Line 2 no matter what Cubase thinks is happening, you will not get any sound out through the speakers. This is fixed by getting back down underneath the console and moving the other pair of wires.

Things that I already knew:

1) I hate getting up off the ground after rewiring underneath the console.

Ah, well. Another learning experience. I'll be back on the ground installing the new interface card when it arrives. And then we'll see how everything works. :)
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I was going to post on something else altogether, but came upstairs to discover that something had completely bollixed my new desktop computer which insisted on booting into BIOS. After several cycles of tweaking things and poking around, I discovered that it wasn't recognizing one of my mirrored M.2 drives, at least as nearly as I could tell.

Well, I could open it up and see what I could do or I could power it off and power it back on. The latter was easier. And when I did that, both drives popped back up and I discovered that a Windows update had landed and apparently bollixed things up. A few install and boot cycles later, the machine came back to life. This was a relief, because I really don't need to lose this box for any period of time.

Sheesh.
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I'm now in the process of trying to upgrade my old office desktop computer to Windows 11. This is slightly dicey, because -- although I installed the correct TPM module -- the CPU is one generation too old to be on Microsoft's "approved" list. It does, however, have all of the currently required instruction set. And since there's no way to upgrade the CPU without upgrading the motherboard, this is where the system is pretty much stuck.

So we'll see how it goes. Making this more fun is that I'm connecting to the old machine via Remote Desktop from the new machine. We'll see what happens when the reboots start...
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I have frequently explained that large computer programs (like, say, the one I work on) are complex systems and have behaviors. You program the rules into the system code, the system executes your program following those rules, and then it exhibits certain behaviors.

Occasionally, you look at the program and go, "No, no. Bad program." However, this is almost always due to a failure to write the correct rules. Some times, you think you have written the correct rules, but you have written the wrong thing or left a loophole.

And then the program will misbehave and take a dump on the floor.

Calvin the Dog is also a complex system.

Puppy!

Aug. 8th, 2025 10:48 pm
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Gretchen has wanted a new puppy to be a companion for Ruby for a while. We went to a foster and looked at puppies and today we have an additional dog in the family.

He is an 11 week old hound mix who came to us with the name Calvin, which he will be keeping. He is very, very cute. And very, very hungry. He has also figured out that I am the feeder of dogs. :)

In other news, I have the two new monitors in the basement studio configured using a DisplayPort MST hub, but they periodically blink off. I am trying to figure out how to discourage this behavior, as it's simply annoying. So far, no luck.

On the other hand, when they aren't blinking, the extra screen is nice...
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I am not thrilled by troubleshooting. I am even less thrilled when the trouble shoots back.

You may recall the incident a few weeks ago where I installed a BIOS upgrade on my studio computer and killed my Thunderbolt port which is highly necessary to being able to do recording. Eventually, I managed to roll back the BIOS "upgrade", get the studio functioning again, and have been down here merrily recording tracks.

Today, I came downstairs, woke up the computer, and it stubbornly refused to see the Thunderbolt interface. Great.

Step one was to try all of the non-invasive stuff. I unplugged the cable and plugged it back in. I turned it over, which should make no difference, but occasionally does. I got down on the floor and checked to be sure that the cable was still plugged into the interface. (I do not so much hate getting down on the floor as I do getting *up* from the floor. In any case, the cable was plugged in correctly.)

Of course, at this point, I *still* didn't know whether the failure was on the computer end or the interface end. But my laptop has a Thunderbolt port, so I got K to (grudgingly) bring it downstairs so that I could plug the cable from the interface in there. And the laptop saw the interface, so the problem had to be the computer.

At this point, I powered down the computer, opened up the case, pulled out the Thunderbolt card, reseated the cable on the motherboard header, and put the Thunderbolt card back in. I fired up the computer and it now saw the interface.

And there was much rejoicing. And some muttering.

Everything is now reassembled and still working. I am hoping that it stays that way.

I have priced a backup plan, which involves pulling the motherboard, CPU, and RAM out of the studio computer and installing it in a case upstairs with a motherboard that is too old to run Windows 11; then installing a new motherboard, CPU, and RAM combination that includes built-in Thunderbolt ports. That's going to cost a lot of money before I am done even if I don't replace any other parts in the process. And it will take a lot of time.

I am hoping not to need the backup plan. We'll keep an eye on this.
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It is sad when the *second* worst thing that happened last night was Ruby getting skunked again.

I had plans to do a lot of recording this weekend. Now, whenever I need to do some recording, I usually wander down to the studio and discover that it is time to install a whole bunch of updates. It was pushing 9 PM, so I figured I could quickly run down to the studio, install the updates, and hit the ground running today.

I already knew that there was a Cubase point release that I should go ahead and install, so I did that. Then I noticed that there were three Intel updates waiting to be installed. Ok, I could take care of that too. No problem. A couple of reboots, but no problem.

The Intel update screen lists (among other things) my motherboard type and the current BIOS version. I looked at that and said to myself, "That BIOS is pretty old. I wonder if there is a newer one that I should install." This was my first mistake.

On the ASUS website, there was a brand-new BIOS for my motherboard, less than a month old. Looked good, so I figured I'd install it. This requires putting it on a memory stick, booting into the BIOS, and then loading it from there. I've done this sort of operation before, so I didn't have too much trouble with it. There was also a newer version of the Intel ME utility, so I installed that too. All good.

Having installed a new version of Cubase, I figured I'd fire it up so that it could inspect all of the plugins, because that sometimes can slow things down on the first restart. Still no problem.

Well, there was no problem until Cubase told me that I needed to pick an ASIO driver. It should just default to the Universal Audio Thunderbolt driver. Except I picked that and Cubase said "What Thunderbolt device?"

Oh, that is bad. Let me start up the UA application and see if it sees the Apollo unit. It does not. And the Thunderbolt cable is plugged in. Ack!

I start searching the Internet. Apparently, this is a problem with older versions of the ASUS Thunderbolt add-in card when the BIOS for this type of motherboard (and its various relations) gets updated. I check the Device Manager and it tells me that there is a problem with the Thunderbolt port. Yes, I had figured that out. Removing the device and putting it back does not help.

Maybe there is a newer driver or firmware for the Thunderbolt card. There's no new driver, but there is new firmware. I set up to flash the card with the new firmware and discover that it won't take it.

Apparently, there are *two* slightly different versions of this card. I have the older one, which will not take this update. There does not appear to be an update for the older card.

Maybe I can get a newer version of the Thunderbolt card. Micro Center does not carry this card. Amazon does. They can get it to me around July 1st, which is not compatible with recording this weekend. Or next weekend.

Ok. How can I get up and running? I *do* have a laptop with Cubase installed *and* a Thunderbolt port, but that is the same port that it uses for charging. About now, I realize that I could probably bodge things together with a Thunderbolt dock, but it was approaching midnight last night and I was running out of brain cells.

The latest generation of PC motherboards has a number of boards that support Thunderbolt directly on the back panel ports. My new office PC is one of those. I am not going to move my freshly-configured office PC to the basement for this. Really not.

I could *buy* a new motherboard. Which will require buying a new processor and new RAM. And a new heatsink. That is going to be annoyingly expensive and a whole lot of work, but is an available backup plan.

Let's try reverting to an older version of the motherboard BIOS. What version had I started with? Eventually, I realized that I still had it on the computer in installable format, so I copied it to the memory stick, rebooted, and installed the older BIOS. So far, so good. Let's boot up the computer.

The computer does not boot up. It beeps eight times. My phone tells me that this is a sign of a problem with the CMOS memory on the computer.

I am old. I know what to do about this. I shut off the power to the computer, pull the plug, and pull the CMOS battery. If I wait until morning, the computer will forget all of the BIOS settings and I should be able to get back into the machine. (Later, I check the manual and find the location of the two pins that I need to short to clear the CMOS. They are inconveniently buried behind the Thunderbolt card. I try fishing at them in the morning with a screwdriver, because why not? I'm not sure if I ever got to them...)

It is now nearing midnight and time to head up to bed.

At some point during this fiasco, Julie comes downstairs to tell me that Ruby has encountered a skunk, so if I smell something when I go upstairs, don't panic. It is apparently less bad than some of the previous skunkings. Gretchen has rubbed the dog down with some odor killer called "Pooph" and the report is that it has improved the situation. Gretchen, meanwhile, has gone off to the bedroom, having had enough of all of this for the night.

When I get upstairs, things are not *too* stinky, so I turn off the kitchen exhaust fan and head upstairs to join Gretchen. It is a *long* time before I can manage to get to sleep (which includes watching another episode of "Leverage" so that we can both wind down).

This morning, I get up, get cleaned up, and head down to the basement. I fish around for the clear CMOS pins, decide that I am not going to remove the Thunderbolt card to try to get at them right now, and put the battery back in. Then I fire up the computer.

Happily, after a mild round of complaints, it boots into the BIOS. I turn the Thunderbolt support back on and reboot. Windows fires up, I start the UA application and it informs me that there is no Apollo unit attached.

Then I plug the Thunderbolt cable back in. And now I have a connection! And there is much rejoicing.

And then I fire up Cubase and it tells me that there is no device connected. So I fire up the UA Console app, see the message "Connecting to Apollo", and now Cubase can see the device and lets me select the Thunderbolt ASIO driver. I open up a song, hit play, and there is sound from the speakers.

My mood is *greatly* improved.

So, kids, this is why you just shouldn't mess with a system that is working. Just ask old Uncle Bill.

In other news, the house still smells mildly of skunk downstairs and we are trying to air it out. Ruby does not seem to be very skunky, for which I am thankful.

At least I didn't have to run out and buy peroxide last night.
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Before going into a marathon debugging session to try to find yesterday's problem, I figured that I would do some more code inspection first. I took a look at serialization for the involved classes just to make sure that there wasn't anything weird there. There wasn't.

Ok, let's try this. This branch works. That branch doesn't. Our source code is in Git. Let's get the complete list of all of the files that have differences between the two branches. It's a longish list, but it just requires a lot of clicking, swearing, and the use of some of my favorite not-available-on-Linux software, Tortoise Git.

And eventually, the problem was found in the most likely spot, which was the routine that was failing. In order to get the unit tests to run correctly, I had commented out what appeared to be an unnecessary line of code. Unfortunately, the unit tests ran much better without that line of code, but the actual software would object strenuously to its absence when a model conversion was needed. This is sort of the classic case of winning the battle and losing the war.

I have restored the commented-out line of code and life is now much better.

I will figure out how to fix the unit tests in a better way at a later date. :)

Mystery Bug

Jun. 4th, 2025 09:52 pm
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I have a file that is loading up one way in one release, but which is loading up differently in a different release. As far as I know, we didn't make any changes to the file loading. However, the good news is that after much effort, I now have debugging versions of both environments to load the file into, which means that with sufficient persistence, I should be able to figure this out.

Assuming that the combination of code and data is deterministic. That's normally a pretty good assumption, so I'm hoping it holds here.

Fingers crossed.
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If all of these posts I am seeing explaining they are fakes are really fakes, we are all doomed. I mean, who are you going to believe? Me, or your lying eyes?

Apparently Google has dropped something called Veo3. And if it can be believed, this little AI tool is making fake videos really easy. And cheap. For example (assuming I can embed this link below):

You need a dog.

Wow.

Progress

Apr. 5th, 2025 11:10 pm
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I built myself a new computer on Thanksgiving weekend. Today, I copied all (I think) of my current data files over from the old computer and am switching to the new box as my primary home machine.

We'll see how this goes -- and what I've forgotten!
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The sound problems were largely corrected in today's show and everything was much more audible than it had been before. There was one brief mic malfunction which (per K) mysteriously corrected itself without anything being done to it, but other than that, everything was fine and it was a lovely performance. (I'm suspecting that the headset mic got knocked a bit out of position and then got moved back to where it was supposed to be, but I could be wrong. It had that sort of hollow, off-axis sound to it, so...)

Meanwhile, I'm not sure *which* thing that we did fixed the problem, but the new work computer is now working, which means that I had better do some of that next week. :) (It may have been a fix to the proxy settings, as that was one of the things that we tried.)

Right now, K is out at the after-party and we are trying to decide how long we will stay up waiting for her to come home. :)
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It's easy to record a track down in the basement studio. Really. Yeah.

Ok, this reminds me of why I decided to record a couple of scratch tracks up here in the office. But it got better.

It didn't start well. I had gone down to the basement earlier in the evening and discovered a fair amount of disarray in the recording booth. I'm not sure why, but I have children, so that's always a leading suspect. I saw that the new mic was mounted on the stand that I wanted it on for vocals, but there wasn't a guitar mic in the room.

Before I started doing final renders for other tracks on the album, I decided to hunt down the guitar mics. I found a bunch of the cheap Marshall mics, but I remembered having bought a better pair of small diaphragm instrument mics some years back. They weren't in the mic locker though. Hmm.

I started poking around on the bookcase and found a box of small reel-to-reel tapes of some origin or another. And under the box was a big wooden box with two still-unused small diaphragm instrument mics in it.

I really need to do more recording in the studio. And I have another album that I should be working on that calls for that. But I digress...

Anyway, I finished rendering all of the other tracks on the album and went upstairs for dinner. After dinner, it was off to the basement with the guitar (in case), the lyric sheet, and my iPad. I repositioned the mics, because I planned to do this standing up, adjusted the music stand, cleared the space for my iPad, and then said "Where is the guitar stand?"

There had *been* a guitar stand in the room the last time I was there. It was not there now and it was something that I really wanted, so I went out and found it disassembled on top of the pool table. Why? I don't know. So I put that back together, put it back where it belonged, and then got the guitar out of the case and took it off to the room.

Happily, the guitar was still nicely in tune for not having been touched since Windycon. Ok, let's go get the iPad remote working.

I had downloaded Avid Control the last time that I had to do recording in the studio, because the Cubase remote app was just broken in so many ways that it was both unusable and unprintable. But I had noticed that a new version of the app had come out, so I figured I'd update the iPad to that version and see what happened.

When I went to the App Store, I was informed that they needed my password, which I provided, which was followed by my being told that I needed to go enter my password in Settings, which was followed by a demand for my phone number, which I entered, which was followed by a text message to my phone with a code that I needed to enter, which I *would* have been able to enter much more easily if the iCloud app hadn't kept coming up on top of that window asking for my password, and then after I entered the code, I was told I would need to make a new password, which I did, and then I could finally go back to the Cubase app page where I discovered that the app had been automatically updated at some point.

But I didn't come here to talk about that. I came here to talk about the draft...

(No, I didn't, but this was starting to feel like "Alice's Restaurant" there.)

Anyway, I downloaded the Steinberg SKI remote software and updated it, went into Cubase, activated the remote, connected the iPad to the computer, and amazingly, everything worked. This was good, because if I had just gone through all of that to see things fail, I would have been very unhappy.

I pulled up the UA Console, powered up the mics, and set some trial levels which at least got signal. Then I had to figure out what was wired up correctly in Cubase, because Cubase was hearing nothing, which turned out to be just a matter of setting up the hardware routing.

Ok, let's go record.

Since the original album had been two tracks direct to tape, no punch-ins, no saving throw, I figured I'd do the bonus track the same way. It's a two minute song. How hard can it be?

It's a two minute finger-picked song. Harder, as it turns out. I had a ludicrous number of false starts, but that's ok, because you just reset and start again. I wasn't trying to synchronize with anything, so I wasn't messing with headphone mixes. I was just playing.

Cubase tells me that I pushed the record button 18 times doing this. I think there were only six or so complete takes and I finally decided that the last one was good. I rendered it, compared levels to the existing tracks around it (all good), and then compared the levels to Clif's bonus track.

Clif's bonus track was substantially less loud than the surrounding tracks. Grump.

I opened Cubase back up, adjusted Clif's levels, compared it to the surrounding tracks, and rendered it again.

At this point, I need to duck over to WaveLab and apply the opening and closing fades. Then I can assemble the album, burn a CD to test with, and make the DDP master.

And if everything is good, I can upload this to the duplicator.

But that will be *tomorrow's* project.
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I had plans to do some things this afternoon and became sidetracked by working on the new computer. The good news is that the new computer is creeping up on being ready to go. There are probably still a bunch of files on the old computer that need to be copied over, but I'm definitely in the vicinity of done.

Until I find the next thing that I've forgotten to install...
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I ran down to Micro Center this morning and picked up the bulk of the parts for the new computer, so I guess I'm committed at this point. I ordered the M2 drives from Amazon this morning, because it saved me a few dollars and let me use a gift card that I've been sitting on since I got my new phone. The case is supposed to arrive from Newegg on Friday, so all of the parts may be in order for a Thanksgiving weekend computer assembly. (Except the OS. Still need to grab an OS.)

There are a silly number of things that we need to do around the house. I think I'll go down and consult with Gretchen and see what we should take a run at. :)

Fumble!

Sep. 28th, 2024 11:28 pm
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I was playing around in the studio late this afternoon and decided that I wanted to try decomposing a WAV file to stems. I've done this trick before using Izotope RX 10 and I figured it was worth trying again. it worked, although not quite as well as I might have hoped, because the choices of how to split up the instruments into the stems were pretty limited.

Now, the technology for splitting a mixed file into stems has been getting better and better. On the very high end, there's what Peter Jackson did to remix the audio for his Beatles documentary a couple of years ago. And the nice things about really high end technology is that it has a way of trickling down. So I did some research on the Internet and discovered that there are a number of choices, including Steinberg's SpectraLayers Pro, which has a one month free trial right now.

Free. Free is a good price. :) I downloaded it on the studio computer and went at it. The results were pretty good.

But then I messed something up trying to save the individual stems. I'm still not sure what. The net result was that I overwrote the original WAV file.

That's ok. There's a backup on the NAS.

Which now contained the overwritten version of the file. More poking around on the NAS found nothing in the way of older, untouched backups.

Damn, damn, damn. This is the thing that I promised Gretchen I would never do with digital recording.

And then the light went on. I went upstairs to the dining room and turned on the *old* studio computer, which I had moved there for general usage when I built a new studio computer. There was the folder and there was the file.

I have copied the file to a transfer folder so I can get it back down to the basement.

At some later date, I will figure out *how* I managed to overwrite the original file instead of writing out the stems. The documentation for the new version of SpectraLayers is being opaque.

But I will figure this out.

Before the trial runs out. :)

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billroper

December 2025

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