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I ran down to Tobias Music and picked up two of my guitars from their shop. The Guild 12-string is now repaired, having gotten a partial refret job and the bridge reglued. It sounds much better than it has in a long time.

The Guild 6-string needs to go to a different shop for the neck reset, because the shop at Tobias doesn't currently have a spray booth to fix the finish after the reset. That will be a project for a slightly later date, but not *too* much later, I hope.

Sing Low

Dec. 6th, 2024 10:29 pm
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I went down to Tobias Music today for the Taylor Guitars presentation there. It was a lot of fun and I got to see a lot of very nice guitars.

I also got a chance to play some guitars before the event started. One of them was the new Taylor 314 Studio, which is a nice enough guitar, but not one that I actually need. (*Is* there a guitar that I actually *need*? Is that a good question to ask?)

And then I picked up the Taylor 326ce Baritone 8-string guitar. That guitar liked me and wanted to follow me home. It promised to write new songs for me.

But I do not need another guitar. (Actually, Gretchen said that I could buy it, but that other guitars would need to leave the house, which is a complex process. First, I would have to figure out which guitar(s) to vote off the island...)

In honor of the siren song of the Baritone 8, I have gone into the closet, found my Eastwood Sidejack Baritone electric guitar, and am going to take it up to the office and plug it in there. And then we'll see how often I pick it up. :)
billroper: (Default)
Tomorrow, it will be back to working on the taxes. Right after I clean up the mess of tablet stuff on my desk from the filkbook experiment that got piled on them last week.

Speaking of filkish matters, I have become very fond lately of the Taylor 326ce that I picked up last year. It is currently the go-to guitar here in my office. I got a recommendation to try a heavier pick on it and have started playing with a 1.3 instead of a .88, which is sounding pretty good.

I think I will probably take it to the next convention with me. (Which means I needed to find the humidifier to go with me, which I finally located in the spot where I'd put it for safekeeping. :) )

Twofer

Jun. 21st, 2023 10:14 pm
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I went back down to Tobias Music and played the Taylor AD27e that just came in. It was a very nice guitar.

And then I tried the Taylor 326ce and decided to come home with it instead. Also, I took advantage of the current sale to add on a Taylor GS Mini Mahogany for another $199, because I'm hoping that one of the kids will decide that they would like to learn to play guitar. Failing that, this is a very nice guitar to take to places where I'd hesitate to take a more expensive guitar.

In any case, I really need to stop buying guitars now. :)

Off By One

Dec. 11th, 2021 09:52 pm
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Yesterday's count of guitars that I no longer own was actually off by one. I forgot about the Gibson Les Paul that I owned for several years. The problem was that when I played that guitar it never sounded like *me* playing the guitar; nor did it sound like the guitar was particularly happy about having me play it.

I eventually traded it in for a Godin Multiac Jazz, having been seduced by playing Barry's. That guitar *does* sound like my guitar when I'm playing it, which I have done far too little over the years. But having thought about this and knowing that Gretchen has been looking for an appropriate Christmas present for me, she is going to buy me a small practice amplifier that can sit in my office so that I can plug in the Godin and get reacquainted with it.

And that will be a good thing. :)
billroper: (Default)
I have all of the guitars that I have ever owned, save for two. (Ok, the Baby Taylor is out on loan, but it is still my guitar, just a bit out of position for the moment.)

I do not greatly miss my second guitar, which was a six-string Epiphone acoustic that I got when I was in college. It went to a good home and I really didn't have any further use for it.

My *first* guitar, on the other hand, is the one that I traded in to buy that six-string Epiphone and I dearly wish that I still had it, because it was the one that my parents bought me and that I learned to play guitar on and it would be hideously expensive to replace. It was an early 60s Gibson Melody Maker in bright cherry red, from just before they added the whammy bar. I have no guitar that is particularly like it and the used models are generally both battered and expensive, at least as far as my pretty good Internet search skills have indicated.

And, yes, I *could* buy one of the hideously expensive used guitars and I am sure that I would play it occasionally, but not nearly enough to justify the money or the space that it would take up around here.

It doesn't mean that I don't miss it.
billroper: (Default)
So I posted about the new baritone electric guitar that Gretchen is buying me for Christmas a few days ago. Well, when the guitar arrived in the mail, the first natural thing to do was to plug it in and make sure it was working properly, so Gretchen pulled my amplifier out of the library (which is currently full of debris from unpacking the house) into the family room so I could plug in there. And it turned out that the guitar was working fine.

Of course, I immediately put the amplifier back away in the library.

Ok, stop laughing. The amplifier was languishing in the family room this afternoon when Gretchen and Julie were off at a movie and Katie was over at the neighbors' house playing with their little girls. And it struck me that I had blown out my knee shortly after Katie was born, which was about a month before I acquired by Godin Multiac Jazz and that this might be a fine time to renew my acquaintance with it after all these years.

The Godin happily still sounded just fine, except there was an intonation problem on the bass strings so that A and C were not going to both be in tune at the same time on the fifth string. Grumble. Well, after this many years of neglect, the guitar needing a truss rod tweak wasn't a great surprise. This meant that I should probably take it over to The Guitar Works for a tune up. And maybe Terry could find a case or a gig bag for the new baritone electric guitar in the bargain if I were clever enough to take it along.

(I had been trying to locate an appropriate case on line. I could have bought the hard shell case from the manufacturer, but the shipping would have been an additional 40% on top of the price of the case. And the guitar is an odd enough size that it was hard to tell exactly what might fit it. Taking it somewhere that had cases seemed like a good idea.)

Katie was due home around 3 PM and was only about 20 minutes late when she finally showed up. So we piled into the car and headed east.

I called Gretchen to let her know what was happening. She said fine and that she was heading home, the movie now being over. Katie, who had not been entirely happy about having been drafted onto this mission, started to sulk, because she would really have preferred to have been home. I was not about to turn around and take her back.

So the sulk continued. "I'm hungry."

"Would you like some chicken nuggets from McDonald's?"

"No. I don't like their chicken nuggets."

This was a revelation to me, because she normally eats Chicken McNuggets like popcorn. "How about a McDouble, no cheese, ketchup only?"

"Ok." Except it was only "ok" until I got into the drive-thru line, at which point she wanted "Nothing." So I bought her a large unsweetened iced tea, which is functionally close to nothing except wet, and added a large diet for me.

And I continued east. Katie observed that it was a long way there. I agreed, but pointed out that we were nearly there. And eventually, this was true, I parked the car, and we carried the two guitars over to the store.

Terry was there and I asked if he could take a look at the Godin, which turned out only to need a minor tweak. While we were waiting at the repair shop window, this put Katie within easy access of the electric guitars. There was a cute little red Squier Mini Strat nearby, which she wanted to pick up and play with. I suggested that was a bad idea.

Terry gave me the guitar back to check on while he went to look for a case for the baritone. I carried it off to the acoustic room and determined that the intonation was now a happy thing, while Katie proceeded to try to look at more guitars. And as it happened, a little Fender MA-1 was sitting on a stand just inside the door. This is an inexpensive 3/4 size acoustic guitar, which is just about the perfect size for Katie and cheap enough that, well...

I checked it out and it seemed playable enough. I handed it to Katie sitting on a stool and it fit her correctly.

"So do you want this guitar as your big Christmas present?"

"Yes!"

"You will have to take care of it. And you will have to take lessons and you will have to practice."

"I'll practice!"

Yeah, we'll see about that. :)

When Terry arrived with the only thing in the store that would hold the baritone guitar (a Fender bass gig-bag that was only a bit too long), I asked him to snag one of the Fender acoustics for Katie from stock. And I also bought Katie a tuner in self-defense.

When we got home, Katie played a scale on the guitar from C to C as I told her where to put her fingers.

We will call this progress. :) We are now hunting down group guitar lessons.

To recap: because I got the baritone electric for Christmas, we pulled out the amplifier, which meant that I could pull out the Godin, which needed an intonation fix, which required going to the guitar store, which mission I dragged Katie along on because she had no one else to watch her at the moment, which gave her a chance to remember that she wanted a guitar and lessons, which eventually resulted in my buying her a guitar.

There is a moral to this story somewhere...
billroper: (Default)
I packed up the guitar in my office in early June so that they could come in and paint. I figured I'd unpack it after the floors were sanded, but that project has been delayed until next week.

I missed my guitar. And I hadn't played a lick since it was packed away.

So I unpacked it today. And played a song during a five minute compile.

Ah. That's better.
billroper: (Default)
I went to the Taylor Guitars Road Show tonight to take a look at the new maple-bodied 600 series guitars. They were quite nice, but didn't really suit me.

I did find one absolutely lovely guitar there though. Some years ago, I was at a road show where I saw a 6-string guitar with a sinker redwood top and macassar ebony back and sides. I commented at the time that it was very pretty, but a bit deep-voiced for my taste. On the other hand, it would make a glorious 12-string guitar.

And there was a 12-string guitar there tonight which -- although it had a spruce top -- had the macassar ebony back and sides.

It was indeed glorious.

It was also just north of $7000, so it did not follow me home.

I must take my Guild 12-string out of the closet and play it some more. :)
billroper: (Default)
I went up to Sam Ash tonight for the Taylor Guitars Road Show and saw a lot of interesting guitars. They have something new this year, which is a 6-string mahogany baritone acoustic tuned to A.

It is a lovely guitar and I had fun noodling on it. Sadly (or perhaps happily), I have no real need for this guitar, so it did not consider leaving the store with me.

But it is a cool instrument.
billroper: (Default)
I finally went down to the basement today to record "Dream Rider" and "Candy Tree". And the guitar said a bad word: "Buzz".

I finished recording the scratch tracks, loaded the guitar into the car (actually, I loaded three guitars into the car), and headed off for The Guitar Works. It turns out that Terry is off on Fridays and was out of town, but the handy fellow in the shop adjusted the shim under the saddle and the tension on the neck, and the evil buzz is now gone.

While I was there, I also asked him to install a strap peg on the new used guitar that I got earlier this year so that I can put a strap on it. And we checked and discovered that the new used guitar will fit in the case that the third guitar -- which had been my "flying on airplanes" guitar -- was in (it had been a bit balky about going in at home and I hadn't wanted to force the issue), so the new used guitar is now good for my next airplane trip with it.

It took nearly three hours by the time I drove there and back, but the guitars are much better now. :)

And after dinner, it will be back to working on Windycon...

High Strung

Sep. 9th, 2013 10:58 pm
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I went to the Taylor Guitars Road Show at the Sam Ash in Buffalo Grove tonight. Just for the amusement of the folks there, I brought along my used 1983 Taylor 710 that I bought recently. Mike, who was running the show, was kind enough to restring the guitar and replace the bridge pegs. And he says that the guitar is in excellent shape.

The Road Show was wonderfully interesting and entertaining and I highly recommend it to my friends when it passes through their area.

(Oh, and apparently the next guitar that [livejournal.com profile] gundo needs is a Taylor T5... :) )
billroper: (Default)
I took a couple of years of guitar lessons when I was in the fifth and sixth grade. Then we moved to Guam, my amp developed a short, and I didn't play much after that until my junior year of high school when another guitar player (with a working amplifier) moved in next door. My original guitar was a red solid body Gibson Melody Maker.

By the time I was in college, I decided it was time to get an acoustic guitar. Though I lusted after a 12-string, I ended up trading in the Gibson on an Epiphone six-string acoustic. A decent 12-string guitar was just too expensive. And that was the guitar that I eventually started taking to filksings when I discovered filking. I'd learned Chet Atkins style fingerpicking when taking those long-ago guitar lessons which served me in good stead on the Epiphone, but I ended up playing without a pick when I had a song to strum. If nothing else, it was easier to sing over the guitar. :)

After I moved to Chicago and graduated with my MBA, I picked up a very lightly used Guild 12-string at The Guitar Works in Evanston, a store that I highly recommend. (The Guild is a story all its own.) And it went to filks with me for many years as I pretty much stopped playing the Epiphone. I eventually bought a six-string Guild to match the 12-string, thinking that I was playing the Guild 12 because it was much nicer than the Epiphone. The Guild 6 was quite nice (and flies to conventions with me today), but the Guild 12 was just a wonderful guitar. It was what I used to record The Grim Roper, still without a pick.

The Epiphone, meanwhile, I sold to Jane Haldeman, because it was now surplus. (Yes, I know. There is no such thing as a surplus guitar.)

While I was married to Carol, I picked up a lovely Gibson Les Paul Custom, because I wanted an electric guitar. And it turned out that I apparently had no business owning a Les Paul, because when I played it, it never sounded like me. I eventually traded it for a sorely underused (by me) Godin Multiac Jazz that I lusted after having seen [livejournal.com profile] min0taur's. I need to play it more, but it does sound like me when I play it.

But in the meantime, I had developed Taylor lust. And after [livejournal.com profile] daisy_knotwise's mom died, she said I could use a bit of the money that we'd inherited to buy a nice Taylor acoustic, so I got a lovely little cedar topped model. It sounds great and still sits next to my desk in my office.

Unfortunately, it didn't record really well, so I decided a few years later to get a spruce-top Taylor with electronics so I could plug it in. And that's the guitar that travels to conventions with me by car. :)

At one point during my travels, I was in a filk circle with Sam Baardman who suggested that I should try using a pick again. I dithered for a couple of years and decided to try it. And it worked out pretty well once I redeveloped the techniques. I still don't use finger picks, because I can't find anything that fits my fingers and sounds decent, but the finger picking is generally pretty clear anyway.

There's a point to all of this. When you're writing music with your guitar, the guitar shapes the music. Every guitar has its own voice and wants to write songs its way -- depending too on whether you're using a pick, or finger picking, or finger strumming.

Most of my songs are getting written either on the Taylor next to my desk here or at a con on my traveling Taylor.

But the Guild 12 is getting lonely in the closet and [livejournal.com profile] daisy_knotwise would like me to pull it out.

If things slow down, maybe I will. :)

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