billroper: (Default)
Made some good progress at work today, writing some tools that we can use to fix the problem that we're currently having. Tomorrow, we'll start filling in the blanks using those new tools.

And Gretchen and I have managed to submit Pegasus Nominating Ballots before the deadline, which is now very, very close. :)
billroper: (Default)
I am late to this particular party of posts, but I have been distracted for the last several days.

The results of the Pegasus Brainstorming Poll were posted a few days ago and it was nice to see Gretchen's and my name pop up in several places. I discover that you are never too old for ego-scanning and it is always interesting to see what songs have been mentioned as someone's particular favorite.

(I admit that I went to submit a brainstorming poll just shortly after it closed. Oops! My bad.)

So thank you to everyone who thought of us. If you're a member of the filk community, you almost certainly know where to go look for the nominating ballot, which is the next step in the process, so I will refrain from linking here. (Hint: look on the OVFF website. :) )

And while all that is going on, I think I'll write some more songs...
billroper: (Default)
Tomorrow is the first performance of the fall play over at the high school and I have now purchased our tickets. Sam and Bonnie are coming to join us, which should be fun.

Tomorrow is also when the recycling goes out and we have a lifetime supply of cardboard that needs to be broken down for recycling. This would be simpler if we weren't going to the play, but we will figure out how to make this work.

In other news, I have been tapped to cover a song in the Pegasus Concert at OVFF and I have tapped K to accompany me. This should *also* be fun!

Apology

Aug. 27th, 2023 09:58 pm
billroper: (Default)
In other news of the day, Gretchen and I are delighted that "Apology" has been nominated for a Pegasus Award in the Best Classic Filk Song category and are greatly looking forward to not watching Judy sign it, because if we were watching her sign it, we would *never* get through the song. :)

Anyone got a video of a past performance?
billroper: (Default)
Most of the gear that I unpacked for NOVFF (I could look up the correct spelling, but I'm being lazy :) ) is now packed up and ready to be put back in storage. If nothing else, packing that is faster than packing a dealer table.

It was good to see a lot of you online.

I am hauling a mic and a guitar cable upstairs. There's a spare interface floating around, so with that, I may show up online more often.

We'll see how it goes. :)

And thanks again to everyone who nominated "Apology" for a Pegasus. We didn't win, but that's ok. It's fun just having the chance to get up on stage and play for y'all.

Next year, let's do it in person. :)
billroper: (Default)
I had fun at the Pegasus Nominees Concert today. Everybody did a wonderful job of making it work. Many thanks to Smac and the rest of the tech team, who put in a lot of hours of preparation so that things went smoothly.

Tonight, I dropped into some of the late night filking for a while. It's the first time that I've done that, because my home setup has been (frankly) woefully inadequate. It was a good time.

And now it is time for bed. :)

Sound Off!

Oct. 12th, 2020 10:44 pm
billroper: (Default)
The Pegasus tech check went well today, so we should be good to proceed.

Sadly, QE found a bug in the patch at work, so instead of working on what I'd planned to, I ended up patching the patch. It was a whole one line of code, but that's the way it goes some times.

I *was* able to help one of my co-workers figure out exactly where a particular change in behavior in the product had come from (happily, it was deliberate), so we were able to put that to bed.

Speaking of bed, the Braves have beaten the Dodgers, so I think I'll go to bed now.
billroper: (Default)
Tomorrow, if everything goes according to plan, we'll do the tech check for the Pegasus Concert, where Gretchen and I will be delighted to have a chance to sing "Apology". Getting *ready* for this endeavor required a lot of heavy lifting.

We're planning on using the recording laptop as the centerpiece of our strategy. The recording laptop is *old*. It weighs a ton. It's also been sitting in its bag since Capricon, which meant that the first thing to do was to power it up yesterday and make sure that it had downloaded all of the Windows Updates and such that it needs, because you surely don't want that to happen at random. That took a few hours. Then I decided this would be a fine time to back up the Capricon recordings to the NAS. The recording laptop is old and has slow Wi-fi, but eventually everything made its way to the server.

The recording laptop is old with a not-so-great webcam, but I have a new cheap Chinese webcam that I bought recently that is already starting to exhibit tiny failures, like one of the two strips not lighting up when the camera goes on. Happily, the webcam is not heavy, so I retrieve it from my desk on the second floor and haul it back down and plug it into the laptop, where it initializes itself correctly. I also download the Zoom software onto the laptop, because we'll be needing that for the tech check.

Sane people have a small, lightweight audio interface. Or maybe they have a small, lightweight mixer with a USB output that handles enough ins and outs for two vocalists and one or two instruments. *I* have a 16-channel Yamaha mixer that -- what's that phrase again? -- weighs a ton. Up from the basement and to the dining room table it goes, along with two mic stands, two mics, and assorted cables.

Ok, let's wire this up, adjust the digital patching, plug it into the computer. Eventually, there was sound.

So I think everything is ready for the tech check tomorrow.

We'll see how this goes. :)
billroper: (Default)
Not a lot to report today. Halloween decorating proceeds apace. Some laundry was laundered.

And a *second* dog toy was flung (accidentally) onto the roof today. We are hoping to recover them when they come to clean the gutters out in about a month.

In other news, both the furnace and chimney were checked out on Saturday morning. The heat was turned on Saturday night, because it's been getting cold around here. Meanwhile, I need to go down and cut down the scrap wood from the fence. It's old untreated cedar. It should burn nicely.

And I pulled out the guitar. I played a number of songs, including "Apology", because practice is a good thing, especially when you're pulling it out direct from memory with no cheat sheets. Other than the complete crash and burn at the beginning of verse three when Ruby came trotting by with one of her new dog toys and distracted Gretchen completely, it went pretty well.

Maybe we should put Ruby in her kennel for the concert...

Apology

Aug. 28th, 2020 11:25 pm
billroper: (Default)
I'm a bit late to the post with this (work was like that today), but I'd just like to say that Gretchen and I are absolutely delighted that folks nominated "Apology" for a Pegasus award in the Best Filk Song category. It's one of my favorites among our duets and I'm happy that you like it too.

There are a tremendous number of wonderful songs and people on the ballot. You should give them a listen.
You'll find them all here:

http://www.ovff.org/pegasus/2020finalballot.html

And thank you all!

Thanks!

Aug. 25th, 2019 10:05 pm
billroper: (Default)
I have been massively distracted by the absence of our cat for the last few days, but I *did* want to remember to thank everyone who nominated me for a Pegasus Award for "Teenage Popsicle Girl" (as well as Erica and Steve, who work very hard to make sure that the cake makes it out of the oven intact). A friend of mine long ago told me that he thought that the song was a "funny once". It has turned out to be one of the more enduring songs on my list, which is a happy thing.

I had once thought about writing a song based on Tom Godwin's "The Cold Equations". I will never write that song now... :)
billroper: (Default)
I wrote this as a response to a discussion in Gary McGath's LJ and have posted it here for reference.

Because I am an anal-retentive friend of the Pegasus committee :), I have produced a list of all of the Pegasus nominees that were to an existing tune and all writer/composer/performer nominees with a substantial reputation for writing parodies. It's a long list (winners asterisked, one question mark that I'm not positive about):

  • *1984 – Best Parody, Twelve Years at Worldcon, Frank Hayes
  • *1986 – Best Parody, Daddy’s Little Boy, Murray Porath
  • 1986 – Best Parody, God Lives On Tully, Bill Maraschiello
  • 1986 – Best Parody, I’m Sorry Cathy It Just Popped Out, Jane Mailander
  • 1986 – Best Parody, Kinda Mediocre Actually, Bill Roper
  • 1986 – Best Parody, Starship in High Gear, Frank Hayes
  • *1987 – Best Schtick: Unreality Warp/Kinda Mediocre Actually, Flynt and Roper (Song & Parody)
  • 1988 – Best Media: J for Jedi, Bill Maraschiello
  • 1989 – Best Techie: The S-100 Bus, Frank Hayes
  • 1989 – Best Techie: Amphioxus, Juanita Coulson
  • 1990 – Best Fannish Song, Cheap Lawyer & Rebuttal, Porath & Hayes
  • 1990 – Best Fannish Song, Flying Island Farewell, Barry Childs-Helton
  • 1990 – Best Fannish Song, Singing Banned From Argo, Bob Kanefsky
  • 1991 – Best Love Song, Lightsailor, Barry Childs-Helton
  • 1992 – Best Genre Crossover, Mundane Girl, Larry Warner
  • 1992 – Best Genre Crossover, Pearly Gate Blues (Jim & Tammy), Sally Childs-Helton
  • 1992 – Best Tribute, A Toast For Unknown Heroes, Leslie Fish
  • *1993 – Best Space Song, Lightsailor, Barry Childs-Helton
  • ?1994 – Best Children’s Song, Wishful Thinking, Peter Thiesen
  • 1994 – Best Risque Song, Kinsey Scale, Bob Kanefsky
  • 1994 – Best Writer / Composer, Bob Kanefsky
  • 1995 – Best Military Song, The Ballad of Fleet Sergeant Ho, Lee Billings
  • 1995 – Best Sing along, Circles, Gwen Zak
  • 1995 – Best Sing along, Lord of Time, Peter David
  • 1995 – Best Writer / Composer, Bob Kanefsky
  • 1996 – Best Filk Song, The Whale Song, Andy Eigel (tune by Dave Tucker, I assume)
  • *1996 – Best Spiritual Song, Circles, Gwen Zak
  • 1996 – Best Writer / Composer, Bob Kanefsky
  • 1997 – Best Science Song, Drivel, Dr. Jane Robinson
  • 1997 – Best Writer / Composer, Bob Kanefsky
  • 1998 – Best Writer / Composer, Bob Kanefsky
  • *1999 – Best Hero Song, A Toast for Unknown Heroes, Leslie Fish
  • 1999 – Best Fool Song, Drivel, Dr. Jane Robinson
  • 1999 – Best Fool Song, Fool to Feed the Drive, Jordin Kare
  • 2000 – Best End of the World, Falling Down on New Jersey, Mitchell Burnside Clapp
  • 2000 – Best Food / Drink, Dairy Queen, Barbara Higgins
  • 2000 – Best Food / Drink, Little Fuzzy Vegetables, Mark Mandel
  • *2000 – Best Writer / Composer, Bob Kanefsky
  • 2001 – Best Filk Song, Con Spent In A Circle, Rob Wynne
  • 2001 – Best Computer Song, 404: Not Found, Dave Weingart
  • 2001 – Best Computer Song, Heart of the Apple Lisa, Jordin Kare
  • 2001 – Best Computer Song, Threes Rev. 1.1, Duane Elms
  • 2001 – Best Creature Song, Wendigoes, Terence Chua
  • 2003 – Best Performer, Jeff and Maya Bohnhoff
  • 2003 – Best Writer / Composer, Jeff and Maya Bohnhoff
  • 2003 – Best Parody, A SMOF Too Blue, Dave Weingart
  • 2003 – Best Parody, Bang Today, Tim and Annie Walker, Mike and Anne Whitaker
  • 2003 – Best Parody, Do You Hear the Pipes, Cthulhu?, Terence Chua
  • 2003 – Best Parody, Heart of the Apple Lisa, Jordin Kare
  • *2003 – Best Parody, Knight’s In White Satin, Jeff and Maya Bohnhoff
  • 2004 – Best Performer, Jeff and Maya Bohnhoff
  • 2005 – Best Classic, Marcon Ballroom, Anne Passovoy
  • 2005 – Best Space Opera, Our Space Opera Goes Rolling Along, Jeff Duntemann
  • *2005 – Best Performer, Jeff and Maya Bohnhoff
  • *2007 – Best Classic, Falling Down on New Jersey, Mitchell Burnside Clapp
  • 2007 – Best Dorsai, Drink to the Health of the Dorsai, Marty Burke
  • 2007 – Best Dorsai, Green Hills of Harmony, Hal Frank
  • 2007 – Best Song of Home, Go Home, Mich Sampson & Marilisa Valtazanou
  • 2007 – Best Writer / Composer, Bob Kanefsky
  • 2009 – Best Country, Redneck Pagan, Larry Kirby
  • 2009 – Best Rock & Roll, Come to Mordor, Jeff Bohnhoff
  • 2011 – Best Badass, Crispy Danish, Andrew Ross
  • 2012 – Best Gaming, Playing D & D, S.J. Tucker
  • 2012 – Best Performer, Jeff & Maya Bohnhoff
  • *2014 – Best Adapted, Midichlorian Rhapsody, Jeff Bohnhoff
  • 2014 – Best Adapted, Snitch Ball Wizard, Steve Macdonald
  • 2014 – Best Adapted, Threes Rev 1.1, Duane Elms
  • 2014 – Best Adapted, TIE after TIE, Debs and Errol
  • *2014 – Best Song of Passage, Outward Bound, Cat Faber
  • 2015 – Best Performer, Jeff & Maya Bohnhoff
  • 2015 – Best Adapted, Be our GoH, Tom Smith
  • 2015 – Best Adapted, Come to Mordor, Jeff Bohnhoff
  • 2015 – Best Adapted, Grabthar’s Silver Hammer, Steve Macdonald
  • 2015 – Best Adapted, Threes Rev 1.1, Duane Elms
  • 2015 – Best Time-Related, The Grandfather Clock, Cecilia Eng

    I observe that we seem to get a fair number of such nominees (and winners!) without having this category on the ballot every year. Rotating it in periodically seems reasonable, but I'd hate to see it eat one of the floating categories permanently, as they cause a lot of interesting songs to bubble into the process.
  • billroper: (Default)
    I'm slightly late (but only slightly) in saying how delighted I am to be nominated for a Pegasus Award in the Best Time Related category for my song, "One Last Dance". Thanks to everyone who thought of me! (And it's going to be a tough little category, as is the rest of the ballot, which you can find here.)

    In related news, let me shill again for Barry Childs-Helton for Best Writer/Composer as he is, in my opinion, the best fannish songwriter to have never won the award -- although there are some other folks I can think of who are in the running. :)
    billroper: (Default)
    I have, despite the chaos at work and home, just managed to submit my Pegasus nominating ballot for the year.

    Next!
    billroper: (Default)
    One of the things that happened during the weeks that we were busy being sick around here was really nice.

    [livejournal.com profile] daisy_knotwise and I were nominated for a Pegasus award for Best Classic Filksong for Apology.

    Thanks to everyone who thought of us! (Because, you know, I don't think you ever get too old for positive reinforcement. Or as Gretchen frequently reminds me, "We should write another duet." Well, yes. Yes, we should...)
    billroper: (Default)
    I have finally submitted my Pegasus Award nominating ballot. If you are a member of the filk community, you can too. (If you haven't already. I always put these things off until the last minute...)
    billroper: (Default)
    The annual Pegasus Award nominating ballot will be closing soon. If you're a member of the filk community, let me suggest that you go nominate and -- having nominated -- remember to vote.

    Let me also suggest one thing that you should consider nominating and voting for: Juanita Coulson's classic song, "Chess" in the Best Classic Song category, which seems to me like a fine place to be nominating a classic song. Darn near tautological.

    "Chess" suffers from several problems that have made it difficult for it to win a Pegasus Award, although -- as you'll see at the link! -- it has been nominated more than once. First, it is egregiously out of print. It's certainly possible to win a Pegasus Award when no one can actually get a copy of the song, but it never actually helps.

    Second, because it is annoyingly difficult to sing and play, it doesn't get covered a lot, so people don't hear it in filk circles. It is to the point where Juanita pretty much can't play it any more unless she's having a good day and that's a shame, because it is a lovely song. It is one of very few songs that I know that are anchored by an E7sus4 chord and a C9-5 chord. (The other, just for the record, is "Lunatic Moon", which I wrote while learning "Chess" partly because I wanted to see what else I could do with those perfectly good chords. :) )

    But, damn, it is a classic song, because it was one of the very first filk songs out there that went places melodically that other filk songs feared to tread. (The only other one that I can think of off the top of my head is Juanita's lovely setting of Heinlein's lyrics for "Grand Canal".) It was operatic in construction and tone.

    No, more than that: it was space opera, space opera on the grand scale.

    And Juanita did all this in the 1970s, when most of us were busily wailing away and bouncing between Am and G and their little friends. "Chess" was the ground breaker, getting out there in front and showing us where we could go.

    One-by-one, we followed. And filk is richer for it.

    For those reasons, "Chess" deserves to win a Pegasus Award.

    But there's more that I need to mention. I'm a baseball fan. I'm a Cardinals fan, despite having lived in Chicago for thirty years now.

    That didn't stop me from recognizing that former Chicago Cub, Ron Santo, belonged in the Baseball Hall of Fame. But he never got in, waiting year after year, until he finally died.

    Yesterday, Ron Santo was inducted into the Baseball Hall of Fame. Posthumously.

    Juanita Coulson has never, ever won a Pegasus Award, which I find almost incomprehensible. And there is an unknown, but finite, amount of time that Juanita will be around -- as she periodically reminds me when we discuss her long-delayed album that I'm working on. :) (In good humor, I will add, just so we're clear on that.)

    "Chess" is a song that deserves to win a Pegasus Award. Juanita deserves to win a Pegasus Award.

    Maybe we could try to do something about this in the near future?

    Thanks for reading!
    billroper: (Default)
    I am stupidly thrilled that "Too Many Years" has been nominated for a Pegasus Award in the Best Romantic Song category for 2011. For a great many reasons, I'd be hard-pressed to name another song of mine that I more wanted to see on a Pegasus ballot.

    You can find sound clips for all of the nominated songs, performers, and composers here. If you're interested in the Pegasus Awards, you should go listen to them. (If not, you might like to go listen to them anyway, because there's a lot of darned fine filk -- darned fine music, for those of you who are less than thrilled by "filk" :) -- sampled there.) And there is nothing that I like better than an informed voter. :)

    My slippery memory tells me that the only time that "Too Many Years" appeared on an album was back on the Cactuscon Choruses cassette tape that came out right after the song was written. At that time, [livejournal.com profile] daisy_knotwise was still married to her first husband, while I was still unmarried. A wedding and two divorces later, Gretchen and I finally got married to the right person back on August 27, 1994, only seven years after I wrote the song.

    You'd think we could have done a better job of figuring things out sooner, wouldn't you?

    I intend to put out an album some time that will include "Too Many Years" as the title track. Work and two little girls are slowing the process down. :)

    But in the meantime, I needed a sound clip of the song for the Pegasus site. So I went down to the basement and recorded the complete scratch track.

    And you can hear it here.

    Thanks, everyone. I appreciate it.
    billroper: (Default)
    I am stupidly thrilled that "Too Many Years" has been nominated for a Pegasus Award in the Best Romantic Song category for 2011. For a great many reasons, I'd be hard-pressed to name another song of mine that I more wanted to see on a Pegasus ballot.

    You can find sound clips for all of the nominated songs, performers, and composers here. If you're interested in the Pegasus Awards, you should go listen to them. (If not, you might like to go listen to them anyway, because there's a lot of darned fine filk -- darned fine music, for those of you who are less than thrilled by "filk" :) -- sampled there.) And there is nothing that I like better than an informed voter. :)

    My slippery memory tells me that the only time that "Too Many Years" appeared on an album was back on the Cactuscon Choruses cassette tape that came out right after the song was written. At that time, [livejournal.com profile] daisy_knotwise was still married to her first husband, while I was still unmarried. A wedding and two divorces later, Gretchen and I finally got married to the right person back on August 27, 1994, only seven years after I wrote the song.

    You'd think we could have done a better job of figuring things out sooner, wouldn't you?

    I intend to put out an album some time that will include "Too Many Years" as the title track. Work and two little girls are slowing the process down. :)

    But in the meantime, I needed a sound clip of the song for the Pegasus site. So I went down to the basement and recorded the complete scratch track.

    And you can hear it here.

    Thanks, everyone. I appreciate it.

    Profile

    billroper: (Default)
    billroper

    January 2026

    S M T W T F S
         1 2 3
    4 5 6 78910
    11121314151617
    18192021222324
    25262728293031

    Syndicate

    RSS Atom

    Most Popular Tags

    Style Credit

    Expand Cut Tags

    No cut tags
    Page generated Jan. 8th, 2026 09:57 am
    Powered by Dreamwidth Studios